When I look back on this film now – I watched it a few weeks ago – I fail to remember anything good about it. All I can think of is negatives. My main issue with The Burial of Kojo is it feels like it doesn’t know what it wants to be. Narratively and creatively it feels disjointed. It seems to want to be a straightforward narrative film, but have its surrealist cake and eat it too. You have moments with pretty images – Esi holding a clear umbrella while fireworks rain down on her – but these images are just that: pretty images. They offer very little to the story and atmosphere. The shots are in the movie because they look cool and it seems like that’s it.
If director Blitz Bazawule wanted to make a 100% surrealist film, having images like this would be totally fine, but when you are trying to have a traditional narrative film these shots feel disruptive. Bazawule might have been able to help these shots feel less unruly if the film flowed better. If I had to guess, the blame for its lack of flow should probably be given to the screenplay more than its editing, although the editing should still take some responsibility. The story, cinematography, and editing were hardly ever in sync.
The Burial of Kojo switches back between high quality shots with good lenses to others that look like the filmmakers used a GoPro. It is clear The Burial of Kojo was a micro-budget film and there’s nothing wrong with that, but I’m personally taken out of a movie when there appears to be changes in resolution. I still remember seeing Transformers: Age of Extinction in IMAX and the continual aspect ratio changes. Granted, frequent aspect ratio changes are far more jarring and unpleasant than resolution changes, but the impact they have on me are the same. I’m even bothered when resolution changes occur when stock footage is used for overhead views of cities.
These GoPro shots are not used as transitions or establishing shots. I may be misremembering, but I feeI like I remember some scenes using two different cameras. It was as if their main camera ran out of batteries and they used the GoPro to finish shooting the coverage of the scene. It’s possible this may have just been an aesthetic choice, but it’s not one that I believe adds great value to the story or movie as a whole.
I’ve seen comparisons between The Burial of Kojo and Beasts of the Southern Wild and at first I didn’t agree with the comparison, but now I see it. The Burial of Kojo could be considered a film that wants to be Beasts and borrows a lot from it, but never fully understood what made Beasts so successful.