The Hill and the Hole is one of the most frustrating films I’ve watched in a while. This film had so much potential, but falls flat, straight down a hole into a cold abyss. We almost got two great 60-70s-esque science fiction films in the first half of the year. A film that came out this year that I find myself often thinking back on fondly is The Vast of Night. With The Vast of Night, director Andrew Patterson did nearly everything right. He perfectly captured the feel of old-school sci-fi and crafted a low-stakes film that was mesmerizing. He also found a way to make it feel unique, despite the fact him and co-writer Craig Sanger were clearly paying homage to an era of science fiction.
Directors Bill Darmon and Christopher Ernst begin The Hill and the Hole in a similar fashion. They have a stylized filmic look, the something-is-wrong-here premise, and the camp and quirk to amuse fans of science fiction. Despite having these things going for it, The Hill and the Hole greatly disappoints. I honestly wouldn’t be as upset if it didn’t have those things because then my hopes wouldn’t have been as high.
I’m not sure if it was due to sheer laziness, a busy and overrun shooting schedule that resulted in a rushed finish, or if it always planned to be the way it is, but the film gets worse as it goes on. I cannot assume, nor do I know whether or not it was shot in order, but it certainly feels like it might have been. About three quarters into the film everything becomes nonsensical. Rather than having this be a quirk, it feels more like a cruel joke played on the audience expecting them to find explanations. Mostly, it feels like a cop-out for Darmon as a writer.
I could have been a decent film, but The Hill and the Hole features poor direction that leads to even worse performances and a lousy screenplay that greatly drags it down.