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2020 Reviews 2020s

Despite Its Many Flaws, Artemis Fowl is Still Watchable

The film that got Judy Dench to dress in all green and say “top of the morning” with a straight face.

There is no denying that Artemis Fowl is a bad movie, but it is – dare I say – still watchable. I find the ultimate bad or “trash” movie the kind that is completely unwatchable, has me repeatedly checking how much time is left in its duration, and has no redeeming qualities. With that being said, Artemis Fowl has plenty of cringe moments focused around poor dialogue, questionable acting choices, and lousy storytelling.

Kenneth Branagh’s latest was already off to a bad start when it opened with Josh Gad, who forces a deep, raspy voice that is inconsistent for most of the movie. Tonally, the opening scene is all over the place. The intrigue Branagh wants to create with Gad’s character, Mulch Diggums, is shattered by lame jokes, Gad’s unnatural deep voice, and the over-the-top interrogation cinematography. Branagh wants to have a Mission: Impossible-esque introduction, trying to be cooler than it is to appeal to a wide audience, when it should have embraced the fantastical elements. There are fairies, dwarves, and trolls in Artemis Fowl, this isn’t Catch Me If You Can, so own it. The sheer fact the character’s name is Mulch Diggums should have resulted in the Mission: Impossible approach being left on the drawing room floor.

This approach to be cool and edgy is also spread to the lead character of Artemis Fowl Jr., a supposed genius, who is a spoiled and mostly arrogant pre-teen that fancies himself some sort of James Bond. When he’s talking to his principal I was immediately reminded of Sheldon Cooper from The Big Bang Theory, who shares the quality with Artemis that they immediately think they’re the smartest person in the room and not afraid to let others know. The difference here though, is this is one of our first scenes with Artemis. Instead of playing for this trait for laughs like in The Big Bang Theory, we’re supposed to be impressed, which I was not. I thought Artemis was an entitled brat who thinks he’s better than everyone else, which I suppose he is and does, but Branagh shouldn’t have me feel this way about him right away. It could work if Artemis was going to have a redeeming moment where he realizes how he acts and that he’s wrong to be that way. However, that moment never comes.

I think the only winners for the film are the visual effects team, camera department, editor Matthew Tucker, and Lara McDonnell’s charming performance as Holly Short. Some of the actors leave a lot to be desired, some more than others, but they’re mostly fine within the movie. In their defense, for almost all of the actors, the screenplay does not give them much to work with. 

I think it’s possible Artemis Fowl would have had the same effect if you watched it on mute. The story is all over the place and it doesn’t always make sense, but at least it has attractive visuals. Call me crazy, but I found myself thinking about the feel of the film that the visuals created the next day. Obviously, I’m still thinking of them now as I write this. As an editor, Matthew Tucker made the film flow well for the most part, even though it probably didn’t have any right to. 

Branagh and his team did manage to create an atmosphere that I found myself enjoying and wouldn’t mind entering again. I just wish Branagh and the writers managed to tell a more cohesive story.

3.6/10.0

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